1/200 sec @ f/1.8, ISO 200, 50 mm (EF50mm f/1.8 II) I have come to the realization that my dogs need more training. Mela (pictured) does exceptionally well with the house training. Leila, is another story in that department, but she has gotten much better recently. But I am actually writing about other training. Take for example the command “SIT”. Both girls will gladly sit when asked, as long as you have treats in your hand. Otherwise, no such luck.
How does this relate to today’s photo? It is tough enough to photograph a subject in a dark room so that the focus is spot on. Ccouple that with an ever moving subject who will not stay still for longer than 5 seconds and you have my photo shoot from tonight.
Luckily, Mela “listened” to my final sit command plea and laid down. I know, I know…I asked her to sit and not lay down, but to her credit, she laid there for a good 2 or 3 minutes. Just long enough for me to get a few really nice photographs of her.
The setup for the shot had the 430EX II on the light stand aimed at the shoot-through umbrella. It was pointed downwards at a forty-five degree angle at camera right and was tripped by the 580EX II in my camera’s hotshoe.
1/200 sec @ f/4.5, ISO 200, 50 mm (EF50mm f/1.8 II) Tonight I was “on duty” to capture some family moments at my fiancee’s sister’s house. Here is one for the few pictures I took. I was roaming around the house with the 580EX II flash in the hotshoe of the camera. The flash was set on ETTL so that flash power would be determined automatically for me. I used the ceiling to bounce the light off of so that the apparent light source was much bigger than the strobe itself. This helped to not only eliminate red eyes, but also to make the light look more natural and reduce harsh shadows.
1/30 sec @ f/1.8, ISO 800, 50 mm (EF50mm f/1.8 II) Today was a snap and run kind of day. Between fantasy football, helping my friend and his wife move boxes in their new townhouse, and going to dinner and a movie with another friend and his girlfriend, it did not leave much time for a well thought out shot.
The scene in the picture was untampered with for the photograph. While the journal and the soda can are not related and were placed at two different times on the ever cluttered kitchen counter, it does appear as if the author of the journal, our once-a-week dog walker, was thirty while crafting her most recent entry.
My favorite aspects of this photograph are the narrow depth of field and the crisp focus and color on the soda can which makes it feel like it is popping out of the picture.
1/200 sec @ f/4.5, ISO 100, 50 mm (EF50mm f/1.8 II) I got my inspiration for today’s photograph after looking at some other peoples’ work on Flickr tonight. I learned something tonight about when I shoot strictly with flash and no ambient light. I tend to underexpose all my photographs. I figured this out during the shoot tonight by taking several frames using the exposure and flash settings that I normally would for this type of shot. Then, I slowly walked the aperture down, letting more and more light from the flash hit the sensor. As I did this, I realized that I was getting a much more vivid color pallet in the camera. In the past, I would usually have to do some post processing to get the bright colors out of my Strobist-style shots. However, this time, the vividness was captured right in camera, simply by letting more of the light from the flash expose the scene. It is a delicate balance though. One stop more light in this photograph resulted in the background showing up instead of the smooth black background.
1/200 sec @ f/8.0, ISO 100, 40 mm (EF-S18-55mm f/3.5-5.6 IS) At first I did not like the piece of artwork my fiancée showed me at the store a few months back. It did not look like something that belonged on the wall of our kitchen sitting room. Ultimately though, it made its way back home and onto the wall. It is now one of my favorite pieces in the entire house.
For this photograph, I set up the 430EX II flash with the shoot-through umbrella on the light stand and raised it up to be level with the wall art. I tripped it by using the wireless flash system built into the 580EX II flash which was mounted in the camera’s hotshoe. I had the 580EX II set to 1/128 power and pointed striaght up with the fill card extended so that a kiss of light would be sent up behind the raised tiles.
Typically, I would have framed this shot so that the artwork was straight in the camera and later adjusted it in Lightroom. However, tonight I decided to play with the composition in camera. After a slight increase in exposure and the application of an out-of-the-box Lightroom preset, I arrived at the finished photograph.
1/60 sec @ f/1.8, ISO 200, 50 mm (EF50mm f/1.8 II) Tonight I decided to shoot another idea I have had for the last few weeks. The concept was light emitting from a closed door. In my head, I had envisioned a shot seen in many movies where a bright light shines through a closed door as if there is another world on the other side.
I set the shot up by hooking the 580EX II strobe and my XSi to the PocketWizards, gelling the strobe blue, and then putting the soup cup omnibounce I made on Sunday on top. I set the flash in the bathroom and closed the door just about all the way. I tested my flash using the button on the PocketWizard mounted in my hot shoe and was ready to go.
Or so I thought. I took a few shots without looking at the LCD. I had a suspicion that something was not right. In fact, it was…sort off. The strobe was not firing in the bathroom. After double checking all the PocketWizard settings on both ends and the flash itself, I was convinced the problem had to do with the radio interference output by the 580EX II. I have read about this exact problem in numerous reviews of the latest PocketWizards but had never experienced it myself since I always shot with a 430EX II.
The solution to my problem was to swap out the flash in the bathroom for the 430EX II currently mounted on the light stand. This process only took a couple of minutes and then I was on my way shooting with a working remote flash.
1/200 sec @ f/5.6, ISO 100, 50 mm (EF50mm f/1.8 II) Tonight I did some portrait practice using the umbrella light modifier and an inanimate object. I have been meaning to take a picture of the gum ball machine for a while now. However, I was always intimidated by the glare I would get on the glass globe. As you can see in the photo, I was able to significantly reduce the presence of glare by using the umbrella as a large light source. However, instead of a flash glare from a bare strobe, I got a reflection of the umbrella in the globe. I tried my hardest to find an angle to shoot at which would reduce or eliminate the reflection. During the process, I found myself laying on my back and shooting up at the gum ball machine. At first, I took the picture straight on. Then I started moving myself off axis from the front of the machine. Eventually, I wound up with today’s photograph. It reminds me of pictures I have seen taken of CEO’s in Money magazine. The upward angle usually is an attempt to convey the subject’s power.
1/60 sec @ f/4.5, ISO 400, 200 mm (EF70-200mm f/4L IS USM) I talk a short photowalk around the neighborhood tonight to find something interesting to make a picture with. I stumbled upon several spiders setting up shop on the pool house lamps tonight. The size of this particular spider was intriguing. To put it into perspective, if you put this spider on top of a quarter, at least 1/3 of each leg would be hanging off the edge.
I made the shot using my tripod-mounted XSi and 580EX II flash mounted in the hot shoe. I used the overhang of the roof to bounce the flash back down onto the spider. I also threw on a full CTO gel onto the flash so that the light from the strobe would match the color of the pool house light at camera right. This marked the first time that I actually used the gels to match the strobe produced light to the ambient light. Since the the picture is cropped so tightly, I am not sure that I would have been able to notice the difference in light colors if I had not used the gel, but at least I feel good in knowing that I technically shot the picture properly.
1/200 sec @ f/2.0, ISO 400, 50 mm (EF50mm f/1.8 II) Thanks to Chinese food delivery on Sunday night, I now have a new light modifier. Some time a while back I read about using a Tupperware-like soup container on top of a strobe as a DIY-StoFen on the Strobist blog. A StoFen is used to send out light from your strobe in all directions, much like a normal light bulb would.
My first attempt at making my own StoFen from such a container was a huge FAIL. I decided that I knew exactly what I was doing and that I did not need to refresh my memory on how to cut the container so that it would fit over my flash. Ultimately, I wound up cutting the wrong side. Believe me, when you cut the bottom of one of these containers in an X pattern, it will not fit over your strobe.
It was only this past Sunday that my fiancée and I got around to ordering some more Chinese food. I made sure a container of soup was in our order. This time was certain to cut the correct side of the soup container, the lid side. Low and behold, it fit perfectly over both of my strobes, the 430EX II and the 580EX II.
Today’s picture was captured using the DIY-StoFen’ed 580EX II. The ambient light in the room was very low, mostly created by my fiancée watching TV. I shot with the flash on the camera, usually a big no-no for me, and the StoFen’ed head pointed up towards the white ceiling.
1/200 sec @ f/5.6, ISO 100, 50 mm (EF50mm f/1.8 II) Tonight was another “Oh shoot, what am I going to take a picture of” night. I have this fancy new light stand and umbrella, so I figured I would try and use them again. I had tried to take a picture of these two mugs a few weeks ago with direct flash and bounced flash. But the resulting glare on the mugs was too distracting. I had a bit more luck this time around using the shoot through umbrella. The trick was to get the umbrella as close as I possibly could to the mugs without having it show up in the frame. If I remember correctly, the lens of the camera was actually up against the umbrella for this shot. The umbrella was positioned camera right, sightly above the mugs but pointed down, and roughly 5 inches away from them.
The mugs were given to me by my mother after my father passed away. They are from one of the infamous Playboy Clubs from back in the day (not the current Playboy Club in Las Vegas at the Palms). I will have to talk to my mother to get the whole story about the several pieces of Playboy Club drinkware which was in the house when I was growing up.
A self-proclaimed tech-geek, I enjoy anything powered by batteries or electricity. I'm not happy until I understand the full potential of any new gadget I get my hands on....
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